Raid 2 Movie (Leaked) (2024) Hindi Movie Full HD Hindi Movie Free Watch & Download

Raid 2 Movie Review : A faithful sequel that wallows in self-admiration


      Critic's Rating: 
3.0/5

Raid 2 Movie Story

Raid 2 follows the return of fiercely honest and incorruptible IRS officer Amay Patnaik (Ajay Devgn), as he goes after yet another powerful nemesis — Dadabhai (Riteish Deshmukh), who’s a snake in the garb of a saint.


Raid 2 Movie Review

Relentless Patnaik (Devgn) is a thorn in the lives of the corrupt. He is the party pooper of the privileged who think they can evade law and hence, the chemistry and conflict that unravel once he goes digging has a comic-thrilling element to it. One does not expect efficiency or honesty from public servants let alone heroism and hence the anomaly makes for an interesting watch.

The second time around, Raj Kumar Gupta mounts his crime drama on a bigger scale. A brooding Patnaik dressed in formals, enjoys Singham like slowmo entry, glamour and clout. He can be transferred or suspended but he is always in power much against the odds. Ritiesh Deshmukh makes for an interesting no-nonsense, white collared antihero Dadabhai. He is a prodigal son, revered philanthropist and a powerful political leader. He is too good to be true and that leads Patnaik to go sniffing after his massive empire and assets. The two outsmart each other in a series of deceitful activities but only one can emerge victorious.

Riteish keeps the character, and his sinister energy understated. He makes for a fine nemesis. Shukla works his magic in a special appearance, but you sorely miss his presence throughout. It was the senior actor who owned the previous film single-handedly with his wit and one-liners. His jugalbandi with Devgn fuelled the film.
The sequel set in the late 1980’s, Raid 2 fangirls its own prequel by following a template so meticulously that it forgets to have some fun along the way. A fleet of ambassador cars aggressively heading for a raid is a visual that stays constant. At 2 hours, 20 minutes, the film feels heavy too. The first half is unhurried, it’s the second half that gets the wit, energy and thrill in place. Songs interrupt the story.


Gupta reunites with his set of actors and writers, barring a few. Ileana D'Cruz, is replaced by Vaani Kapoor as Patnaik’s wife Malini. Saurabh Shukla as Tauji takes a backseat for Ritiesh Deshmukh to take the centre stage. Supriya Pathak as Dadabhai’s mother is a new addition too. Amit Sial as ‘Charan chumbak’ Lallan Sudheer Singh is an absolute riot.

Ajay Devgn and his sunglasses are intense. He portrays the old-school heroism with swag. He has a solid comic timing too. You wish that aspect was explored more here. The film has some clever one-liners too that mock the sycophants and the corrupt as it oscillates between no frills and old school dramatic storytelling. Raid 2 stays true to its theme, but it takes itself a bit too seriously.


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Article 370 (2024) Hindi Movie Full HD Hindi Movie

Synopsis

‘Article 370’ attempts to evoke a sense of nationalism, taking creative liberties along the way.

Article 370 Movie Review 

This intriguing drama sheds light on Kashmir’s complex dynamics

Article 370 story

Zooni Haksar, an Intelligence Field Officer, is recruited by the PMO Secretary for a classified assignment aimed at dismantling the conflict economy and combating terrorism in the Kashmir valley, just before the implementation of the abrogation of Article 370.

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Article 370 review

 Despite its lengthy runtime of over two and a half hours, ‘Article 370’ remains engaging for the most part. This drama, inspired by real events yet embellished with creative liberties, underscores the necessity of abolishing Article 370, which granted special status to Jammu & Kashmir. The film asserts that the current government's decision to revoke the article was justified. In its portrayal, the filmmakers strongly emphasize that the suffering of Kashmiri residents stemmed from the collusion between corrupt local leaders and militants. The first half is tense and skilfully sets the stage for the plot. However, the intensity somewhat tapers down in the climax, which leans towards overly dramatic cinematic tactics rather than realism.


The film's storyline follows Zooni Haksar (Yami Gautam Dhar), an intelligence field officer, who is relocated to Delhi following a ‘botched’ encounter despite its success, as deemed by his superior. As the government moves to abrogate Article 370, PMO Secretary Rajeshwari Swaminathan (Priyamani) shoulders much of the groundwork. She assembles her team and appoints Zooni to spearhead the NIA operation in Kashmir. The journey to preserve peace and unity in the valley navigates through the obstacles posed by corrupt local leaders and militants.

It's heartening to witness two actresses commanding the spotlight and carrying the entire film with their performances. Yami Gautam, portraying Zooni, delivers a commendable performance with her no-nonsense demeanour, showcasing the evident dedication and reaping deserving rewards. Priyamani, portraying an IAS officer, embodies the role convincingly with a controlled performance that hits the mark. Raj Zutshi, portraying a Kashmiri leader and thrice former Chief Minister of J&K, along with Raj Arun as Khawar Ali and Vaibhav Tatwawadi as Commandant Chauhan, offer dynamic support to the ensemble cast.


‘Article 370’ attempts to evoke a sense of nationalism, taking creative liberties along the way. One fails to comprehend the necessity for Zooni to resort to impersonation to access amended documents from the J&K Secretariat, as accessing those documents could have been a straightforward job for her. Nonetheless, this film marks a promising debut from director Aditya Suhas Jambhale, a two-time National Award-winning director, hinting that a lot can be expected from him in the future. ‘Article 370’ proves to be a worthwhile watch, offering enough substance to keep viewers engaged and invested.

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Jaat Movie Review

Jaat Movie Review

Story: In a remote coastal village, ruthless criminal Ranatunga rules by fear. When a mysterious stranger confronts his men, he uncovers the villagers’ torment. Determined to end the tyranny, he takes a stand—can he bring justice to the oppressed?



Review: Gopichand Malineni’s Jaat, marking his Hindi directorial debut, is an unabashedly loud, hero-driven spectacle that aims to marry the exaggerated swagger of South Indian action with North Indian machismo. The result is a film that offers moments of undeniable impact but ultimately plays too safely within the confines of well-worn formulas.

With a title steeped in cultural pride and defiance, Jaat wears its identity on its sleeve. It’s clearly designed as a star vehicle for Sunny Deol, putting him front and center in a role that brings back his signature style—loud one-liners, heavy action scenes, and a larger-than-life masculinity straight out of the 90s. To its credit, the film doesn’t shy away from this tone and fully commits to the old-school action formula, even if it feels dated at times.

The plot unfolds in a coastal village ruled by the iron hand of Ranatunga (a chilling Randeep Hooda), whose tyranny sets the stage for a classic messiah narrative. A lone drifter—Deol’s Jaat—arrives, bears witness to the injustices, and predictably becomes the avenging force. While the premise holds promise, it’s the execution that falters. The film leans heavily on tropes—blood-soaked revenge arcs, slow-mo punches, and sermon-heavy dialogues—leaving little room for surprise or nuance.

Where Jaat does briefly shine is in its first half. The tension is palpable, the villainy unsettling, and the non-linear screenplay keeps the audience engaged. Hooda, in particular, is magnetic as Ranatunga, portraying menace with mythological flair. His Ravan-obsessed villain is one of the film’s few inventive choices, lending depth to an otherwise familiar face-off. Sunny Deol, meanwhile, thunders his way through with nostalgic bravado, delivering lines like “yeh dhai kilo ke haath ki power poora North dekh chuka hai, ab South dekhega” with such conviction, one can’t help but cheer—even if the screenplay around him doesn’t always rise to the occasion. Vineet Kumar Singh also makes an impact as Ranatunga’s ruthless brother, Somulu, providing a worthy foil in the villain camp.

Visually, the film holds its own. Thaman S’s background score heightens the drama effectively, and the cinematography offers a gritty, lived-in aesthetic. Action sequences, while often overindulgent, are slick and impactful. The dialogues, penned by Saurabh Gupta and Sai Madhav Burra, are over-the-top and theatrical—often more memorable than the scenes themselves.

However, narrative pacing becomes a significant issue post-interval. The second half drags, and the film’s 153-minute runtime begins to weigh heavily. A forced item number featuring Urvashi Rautela feels unnecessary and only adds to the film’s bloated feel.

Perhaps the most glaring flaw in Jaat is its treatment of female characters. Regina Cassandra, as Ranatunga’s wife Bharathi, and Saiyami Kher, as a fierce senior police officer Vijayalaskhmi, are criminally underused. Kher, in particular, starts strong but is soon reduced to a plot device.

Jaat delivers exactly what it promises: a nostalgia-fueled action drama powered by its male leads and dialogue-heavy theatrics. But for all its sound and fury, it lacks the courage to push beyond its comfort zone. It’s a decent one-time watch for fans of old-school Deol-led actioners, but for anyone seeking innovation or depth, Jaat may feel like a missed opportunity wrapped in a thunderous punch.


JAAT Full Movie 2025 Movie Trailer


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Kanguva (Leaked) Full HD Hindi Movie Free Download, 1080p [1.5GB], 720p [750MB]


Kanguva Movie Cast Details

Cast 15

  1. Suriya

    Suriya

    Kanguva/Kangaa, Francis Theodore

  2. Bobby Deol

    Bobby Deol

    Udhiran

  3. Disha Patani

    Disha Patani

    Angelina

  4. B. S. Avinash
  5. Kovai Sarala

    Kovai Sarala

    Francis's Mother

  6. Yogi Babu

    Yogi Babu

    Colt 95

  7. Jagapati Babu
  8. Natarajan Subramaniam
  9. Redin Kingsley

    Redin Kingsley

    Accelerator

  10. Anandaraj
  11. G. Marimuthu
  13. Ravi Raghavendra
  14. K. S. Ravikumar
  15. Karthi

    Karthi

    Rathaangasan/ Commander Ryan


Kanguva Movie Review : Suriya impresses in a period fantasy that’s confused and convoluted


Kanguva Movie Synopsis: Tracing two timelines, the fantasy film explores the connection between a tribal warrior and a young kid in 1070, as they reconnect under mysterious circumstances in 2024.

Kanguva Movie Review: The opening sequence of the present-day Suriya is the trailer for the outdated writing of Kanguva. Yogi Babu hypes up Suriya’s Francis, a bounty hunter, as he jumps out of his shower and attacks a few enemies, and there goes our hero introduction. What follows is a template romance song in Goa and a breakup that’s announced just using TEXTS (a different approach to the “show, don’t tell” format?). We are introduced to so many characters within the first five minutes of Kanguva – including those played by prominent actors like Disha Patani, Redin Kingsley, Kovai Sarala, and KS Ravikumar – but disappointingly, we hardly see them for 15 minutes on screen.

The film oscillates between two different timelines: 1070 and 2024. In the present, Francis feels strangely drawn towards a young kid, a mere stranger. He goes to the lengths of risking his own life to save the kid. On the other hand, back in 1070, Suriya’s Kanguva, a mighty tribal prince and warrior, vows to save a kid. While the premise, connecting the two mysteries, is quite intriguing and you look forward to seeing how their bond is depicted, the execution tires you. Just like how too many characters are introduced in the present, you are transported to a different world in 1070, where five different villages with different ethics and ideologies co-exist. Two worlds are built and are overdosed with so many details that add little value to the story. But even if you want to try and understand the world – the five villages, their ethics, their past fights, etc – you are given limited time to grasp it all. Besides the reason that the makers have nestled in too much information, the way it is presented also contributes to the confusion. For instance, if texts are how the characters in the present day are introduced to you (eg: Francis, Bounty Hunter), you are welcomed to the past with a strange narration in Sentamizh, haphazardly explaining the five different villages. Also, the tonal shift as the film jumps from a party in GOA to an upcoming war in an age-old village is jarring.

One of the few interesting aspects of Kanguva is its innovative fight sequences – one involving snakes and scorpions and another of the women in 1070 attacking their enemies. Watching it in 3D also gives you the effect of being part of blood baths and sea waters splashing out of the screen. Props to the acting, you also get a few emotional sequences. But the grand visuals – Vetri Palanisamy captures the bright streets of Goa and the scenic visuals of the past world aesthetically – and impressive fights are all you get in Kanguva, as the story meanders a lot without a central focus.

For instance, after announcing a war, Suriya is temporarily exiled from his village for a few reasons. And immediately, we get a song where Suriya and the little kid are reconnecting. Now, as previously said, the bond between them is central to the whole film. However, their sequences are inserted randomly in the film’s runtime, mostly as montages, so you don’t get the chance to emotionally connect with them. There’s also too much happening around – a war, a foreign invasion, the return of a past feud, a simmering vengeance, all while you are just still trying to wrap your head around the lifestyle of the village people.

There are a few moments that impress us like the fight sequences, the metaphorical moon and birds, the reason behind Kanguva wanting to protect the child and more. There are also glimpses of how Francis could be the reincarnation of Kanguva – even with the sea of differences they share, there are hints that connect them. Like how Kanguva forgives and protects someone who tries to kill him, Francis, too, goes out of his way to save his ex-girlfriend, who minutes ago wanted him dead. Suriya also impresses as Kanguva – the difference he brings to his two characters in terms of body language is quite intriguing. And after a point, it becomes a one-man show, with Suriya solely carrying the entire film on his shoulders.

Interestingly, although there is an overdose of information, you can see how the makers have carefully crafted this past world, which has a personality and culture of its own. For instance, each village has its own dance traditions, punishment plans, etc. Likewise, Kanguva’s village has a ritual of not using weapons while praying before a big war. There is also a focus on the kind of weapons they use – like a double-edged sharp stick. However, all of these are shown in glimpses. Even the villain (Bobby Deol), who rules the enemy village has four sons – but we never get the time to know or understand them. Add to this the sequences set in the present timeline, which are filled with bland jokes and outdated writing – there is so much you wish the makers had avoided. And this is why you wish the film had focused only on one timeline, letting the frames and the characters breathe a little more. Its ambitions go unnoticed in its mess of convoluted and confused writing choices.

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Chhaava (Leaked) Full HD Hindi Movie Free Download, 1080p [1.5GB], 720p [750MB]

Chhaava Movie Review

Chhaava Movie Review : Vicky Kaushal ferociously roars, races and goes on a rampage in Chhaava


Story: The death of the mighty Chhatrapati Shivaji Maharaj, who founded and led the Maratha empire to its undefeated glory relieved the Mughals. Little did they know they would now be entering the tiger’s den by facing Shivaji’s valiant son Chhatrapati Sambhaji Maharaj, if they wished to expand their empire in the deccan.

Review: Based on Shivaji Sawant's Marathi novel, Chhaava (lion's cub) aims to acknowledge the bravery of Shambhu Raje (Sambhaji Maharaj played by Vicky Kaushal), that most history books haven’t been able to. There’s more to him than being Shivaji’s son who was betrayed by his own men, captured and brutally executed by Aurangzeb (played by Akshaye Khanna). The film sheds light on why he was widely revered by his people and feared by rivals in the nine years that he held the Maratha throne.

Still reeling from the loss of his father, Sambhaji and Sersenapati Hambirrao Mohite (essayed by Ashutosh Rana) invaded Mughal stronghold Burhanpur right under their nose. For the nine years that followed, Sambhaji trampled on Mughals’ expansion plans making him a thorn in their side. Sambhaji’s bravery overcame the betrayal he faced by his own people until he was ambushed and captured in Sangameshwar. Even his brutal execution couldn’t kill his warrior spirit and fight for Swaraj.

Director Laxman Utekar builds his historical on a massive canvas, giving the film the larger than life appeal it deserves. The film starts off with promise and a grand slowmo entry but the first half lacks an engaging story beyond the obvious reverence. It feels like a collage of action sequences and songs without investing much in character development or world building. You miss that tension or sense of discovery around the events that unfold. AR Rahman’s songs and background score drive the narrative, overriding the story and dialogues. The legendary music composer’s 'Aaya re toofan' (war cry) is a winner with its classic Maharashtrian Nashik Dhol Tasha but rest of the tracks don’t complement the film’s setting or theme. Romantic number ‘Jaane Tu’ is beautiful as a standalone song but throws you off guard when placed in the movie as it sounds way too contemporary for the era. Piano doesn't go with the paithani. You constantly wonder if Ajay Atul would have been a better fit for a story like this.

The film’s soul lies in the second half, and it is here that Chhaava truly comes alive. The story picks up the pace, gets the emotions right and keeps you on the edge throughout the thrilling climax that sees Sambhaji single handedly fighting the Mughals. “Kuttay ke pillon kay aanese, sher ka baccha nahi bhaag jata” The writing ups the drama. The fight scenes are well choreographed and executed. The last part of the movie has been splendidly shot and deserves a theatrical viewing.

Last but not least, the film belongs to Vicky Kaushal and it’s fair to say he has given his blood, sweat and tears to this titular part. He channels his inner rage, allows his rudra avatar to take over and roars like a tiger in every scene, commanding your undivided attention. This is one of his finest performances till date and no one could have done it better than him. Akshaye Khanna and his one-liners are effective. He is refreshingly understated, even as his makeup and extensive prosthetic work go over the top. Actor Vineet Kumar Singh is a great casting choice to play Kavi Kalash. His conversation with Vicky gives the film some of its best scenes.

The women don't get as much screen space. The immensely talented Divya Dutta as Maharani Soyarabai has a powerful presence and deserved a meatier role. Rashmika Mandanna looks the part but struggles to get her language, accent and emotions right. Diana Penty turns out to be the biggest disappointment. She barely gets to speak but when she does, her stone-faced performance distracts you from the most intense scenes.

Chhaava’s redeeming factor is its terrific climax. Vicky Kaushal is breathtaking as he exudes Sambhaji Maharaj’s valour and passion for swarajya (self-rule) like it were his second skin. You just wish the film relied and trusted its story more than Rahman's music, which largely feels out of place.


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